6/4/2023 0 Comments Kelefa sanneh major labels![]() ![]() ![]() ![]() The memoirish bent of Sanneh’s book lends a retrospective quality to his project. And his fascination with the cultures and subcultures of different musical genres also prompts a thorny, not-unrelated question: Do musical genres actually refer to music, or do they refer to a set of preordained beliefs about how music should sound, who should make it, and who should listen to it?. In focusing on how much our sense of musical allegiance is shaped in relation to other people-the theme at the core of Major Labels-Sanneh can be fuzzy about the balance between the collective loving and the collective hating that go into forging tastes and identities former punk that he is, he doesn’t flinch from defending zealous insularity, even as he also celebrates spiky debate across dividing lines. The autobiographical jags allow Sanneh to explore his own still-evolving relationship to music, and the various attachments and antipathies he’s picked up and discarded as he goes. an essayistic medley rather than a straight chronological history, with a generous helping of memoir included along the way. ![]()
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